AbleStable®
go to Homego to Reviewsgo to Servicesgo to Registered Usersgo to Resource Centrego to Projects Centrego to Helpgo to About Us
go to AbleStable: Home Reviews
go to Search

go to Exhibitons Centre
  Books for Creative People
go to Help
go to Freeware at AbleStable
go to Review Centre
go to Books at AbleStable
go to Magazines at AbleStable
go to Services at AbleStable
go to Software at AbleStable
go to Book Hub

The Creative Life


Books for and about creativity

| 1 | 2 |
  Books at AbleStable®

Business | Reference | The Creative Life

Detailed Description and Review

Advice to Young Artists in a Postmodern Era 5 out of 5 stars

William Dunning


book cover AbleStable 5 Star Award This book offers practical advice to young artists hoping to make the transition from art school student to independent artist. Topics include how to approach and deal with galleries and dealers, how to set up a studio and how to finance the transition.

Detailed Description

From the Author

To achieve excellence, and then success in art.

For decades I have heard students ask the same question: "Why doesn't this university offer a class that teaches us about graduate art schools, galleries, studios, and all those things we need for graduate school and after?" This book is intended to be a service to all those studio artists who have not known how to achieve excellence in their chosen field, nor where to go, nor what to do if they do achieve this excellence. I put together my own experience with a considerable amount of library research into the advice that has been written by known successful artists such as: Leonardo, Joshua Reynolds, Mozart, Robert Henri, Frank Stella, Rainer Rilke, Peter Plagens, Barnett Newman, and Josef Albers–-as well as many others who are knowledgeable in the art world. Then I sought the advice of several other working artists from New York and Chicago.

This book will guide young artists during and after school in the following areas as well as some others: how and what to read and how not to read; what is the relationship between talent, intelligence, self-discipline, and hard work; when to, and when not to, listen to your professors; when tradition is helpful to an artist and when it should be changed or attacked; what are the politics for making it in the art world; do some critics expect bribes and what kind; how to approach and dealers and galleries and how not to; how to light and set up a studio for efficiency (as well as tax purposes); and what are the politics uses and expectations for the studio; what kinds of jobs might artists consider to support themselves, and which jobs might be helpful to them. Ben Mahmoud, a Chicago artist who has been a successful painter for decades and who is married to a C. P. A, was of particular help with sections of this book and he wrote the chapter on how to keep records and report taxes--a necessary read for those who expect art to be their business.

Bill Dunning

Review
5 out of 5 stars

Our rating for this book is based primarily on its' consistent popularity and user feedback.

AbleStable®

Rate this book

 All Material: AbleStable © 2002-2008
go to Frequently Asked Questionsgo to Feedbackgo to Press Centrego to Privacy Statement